
Cut to length, on the machine.
The R2 Pro carries its own cutter, so a finished print comes off the roll as a sheet — ready for the shaker, without a hand-cut edge.
Production speed on a benchtop.
Dual-head desktop production — more speed and white for shops ready to scale up.
Two Epson i1600 heads bring production speed to a compact, benchtop machine.
CMYK plus double white for dense, opaque transfers on dark garments.
The natural step up from the R1 for shops outgrowing entry DTF.

The R2 Pro carries its own cutter, so a finished print comes off the roll as a sheet — ready for the shaker, without a hand-cut edge.

Two Epson i1600 heads bring production speed to a compact machine with the same footprint as the entry-level R1. Between jobs each head parks on its own capping station and cleans itself automatically.

White pigment settles when it sits. The R2 Pro keeps it moving, so the double white channel stays dense and opaque on dark garments — from the first print of the day to the last.

A light for every channel on top of the machine. You see a low tank from across the room, not after a spoiled print.

Open the cover mid-job and the carriage stops. A head-strike sensor does the same if anything meets the heads — protecting the parts of the printer you least want to replace.

33 cm prints from roll film, fed and taken up on the machine, so one loaded roll runs job after job without anyone feeding sheets.






The shaker and press matched to this printer's width and output.

A 3-in-1 desktop shaker: powder, cure and extract fumes in one unit.
Learn more
A compact desktop shaker for even powder on every print.
Learn more
An auto-open clamshell press with interchangeable platens.
Learn more
Hands-free dual-station pressing for continuous output.
Learn moreSee the R2 Pro print at VTG 2026 in Ho Chi Minh City, 14–17 October — or ask us which shaker and press fit your volume.
See it at VTG 2026