One machine. One operator.
Art file in. Press-ready sheets out. The complete DTF production line — print, cut, powder, cure and stack — in a single footprint.
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Industrial printheads with a stainless-steel face, rated for five years. Two sets of media guides and a pair of film rollers hold the film flat the length of the bed, so head strikes are virtually impossible.
Learn moreColor Prime Chroma water-based pigment in sealed cartridges. White ink circulates every hour, the heads clean on a schedule, and after six hours idle they seal themselves into a wet cap — so a quiet week does not cost you a printhead.
Learn moreA single tilt touchscreen runs both sections. It tracks what maintenance is due and when it was last done, reports error codes back to support, and takes software updates on its own.
Learn moreOpen the doors and the whole finishing section is at hand: the powder cartridge on the left, the filter drawer on the right. Powdering, curing and filtration all happen inside the enclosure, at 67 dB(A) or less.
Learn moreAdhesive powder is metered from a sealed cartridge by a rotating paddle, and the excess is captured inside the machine. Nothing airborne, no tray to shovel. One cartridge runs about one full 100 m roll of film.
Learn moreA de-mist stage, a medium stage, then HEPA and activated carbon. Fumes and fine adhesive powder are captured inside the machine, so no external ventilation is required.
Learn moreAn enclosed conveyor bed with four independently controlled heater zones, held at 160 °C by a PID controller. The operator never sets a cure temperature, so there is no setting to get wrong.
Learn moreAn inline shuttle cutter trims each sheet in 0.8 seconds, at any length between 25 and 50 cm. Finished sheets drop cut and squared into the integrated stacker, up to one hundred of them. Lift the stacker out, and the run becomes limitless.
Learn moreA 43 cm roll on a motorised, auto-tensioning unwinder with edge-driven pinch rollers. One 1.1 kg powder cartridge runs about one 100 m roll, so neither runs out before the other.
Learn moreThe print section mounts on top of the finishing section. Film feeds up and back down, so the wet ink side stays up while powdering and curing sit underneath the printer rather than beside it. Film goes in and comes out on the same side.
Learn morePoint your phone’s camera at this code. The page opens on your phone; tap “See it in your space” and a full-size Vega S17 appears in the room, at true scale.
Film travels a short, fully supported path and is cut into sheets rather than pulled on as one long web. There is no unsupported span for tension to act on, so there is nothing to skew — and nothing to watch.
Fully enclosed, 67 dB(A) or less, with three-stage filtration that captures fumes and fine adhesive powder inside the machine. No external ventilation to install, so the building stops being the obstacle.
Powder is sealed in a cartridge and applied automatically. The cure is preset. Cutting happens inline and finished sheets stack themselves, up to one hundred. Send the file and go run the press.
Adhesive powder is metered from a sealed cartridge by a rotating paddle, and the excess is captured inside the machine. Nothing airborne, no tray to shovel. One cartridge runs about one full 100 m roll of film.
An enclosed conveyor bed with four independently controlled heater zones, held at 160 °C by a PID controller. The operator never sets a cure temperature, so there is no setting to get wrong.
An inline shuttle cutter trims each sheet in 0.8 seconds, at any length you choose between 25 and 50 cm. Finished sheets drop cut and squared into the integrated stacker, up to one hundred of them. Lift the stacker out and the run length becomes the roll instead.
A de-mist stage, a medium stage, then HEPA and activated carbon. Fumes and fine adhesive powder are captured inside the machine, so no external ventilation is required.
A single tilt touchscreen runs both sections. It tracks what maintenance is due and when it was last done, reports error codes back to support, and takes software updates on its own — so nothing depends on somebody remembering.
The print section mounts on top of the finishing section. Film feeds up and back down, so the wet ink side stays up while powdering and curing sit underneath the printer rather than beside it. Film goes in and comes out on the same side, so a second unit stands right next to the first.
Every number here is one we have verified. Where a figure is still being measured on production units, it is absent rather than estimated.
Engineered and built in Korea.
The film roll and the powder cartridge are matched to run out at roughly the same time, so an unattended run does not stop halfway for a refill.
It depends on what you sell. If your product is gang-sheet rolls sold by the metre, width is yield and you want a wider roll-to-roll machine — ask us about the Prestige XL2 or XL4 with a Seismo shaker. If you press what you print, you gang jobs onto every sheet and stop paying for width and floor you never use. A 39.4 × 46.7 cm image is sized to a 40 × 50 cm press.
We have not published a speed figure, because we have not finished measuring one on production units. We would rather leave it blank than borrow a number. The two sections synchronise automatically, so finishing never caps output below what the printer produces. Ask us for the current position.
No external ventilation is required. Curing is enclosed and three-stage filtration, ending in HEPA and activated carbon, captures fumes and fine adhesive powder inside the machine.
The two sections have separate power connections and should not share one standard circuit. Confirm the circuit requirements with us before installation.
The machine is designed to stay powered so it can look after itself. White ink circulates hourly, channels clean on a schedule, and after six hours idle the heads are sealed into a cap station filled with cleaning solution. For two weeks or more powered off, flush the ink and charge the system with storage fluid first.
You would be buying components and assembling the line yourself: the shaker, the oven, the cutter, the extraction, the floor for all of it, and the person standing over it. Both are legitimate and we sell both. The question worth answering is how many labour minutes each costs you per finished transfer.
Ask for a quote, or watch the Vega S17 run end to end at VTG 2026 in Ho Chi Minh City, 14–17 October — and time how long anybody spends touching it.
