
Nine colors, not four.
CMYK plus light cyan, light magenta, green and orange, with four white channels behind them. A wider gamut, smoother gradients and tighter matching to the artwork than a four-color machine can reach.
Color and speed, together.
Three printheads and nine colors — higher throughput without giving up gamut.
Higher throughput without giving up extended-gamut color.
Built for shops scaling color and volume together.
The balance of gamut and output for growing production.

CMYK plus light cyan, light magenta, green and orange, with four white channels behind them. A wider gamut, smoother gradients and tighter matching to the artwork than a four-color machine can reach.

Three Epson i3200 heads share the work across a 60 cm width — higher throughput without giving up the extended gamut.

A dedicated circulator keeps the four white channels moving, so the underbase prints as dense on the last shirt of the day as on the first.

Wide-format film, fed from the roll and taken up on the far side, with the whole path open to view from the front of the machine.

One indicator per channel on the front of the machine, so a low tank shows before it costs you a print.

A proximity sensor ahead of the carriage halts the machine if anything sits in its path — protecting the three parts of the printer you least want to replace.






The shaker and press matched to this printer's width and output.

Automatic powder recirculation and curing for 60 cm production.
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A 60 cm shaker and dryer with a built-in fume extractor.
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An auto-open clamshell press with interchangeable platens.
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Hands-free dual-station pressing for continuous output.
Learn moreSee the XL3 print at VTG 2026 in Ho Chi Minh City, 14–17 October — or ask us which shaker and press fit your volume.
See it at VTG 2026